|
Let's Get It Started When a mutual friend introduced Trina Meade and Tomi Martin they knew right away that there was a special chemistry between the two. Even so, as one of the most sought-after guitar players in popular music by every superstar from OutKast to Eric Clapton, Tomi was not yet convinced that Trina would be the lead vocalist in the band he wanted to form. That is until Trina decided to prove to him that she could not only sing like no other, but she was also blessed with the ability to write great songs. You can sense a nervous excitement when Trina describes how she won him over. “One day Tomi was composing songs for what would become Sunlight and Toys and I decided I was going to sit down and show him what I could do. I wrote lyrics right then and there, singing along with him as he played. The funny thing is I was actually in the next room within earshot! I was too nervous to sit right there with him.” The duo wrote their first song at that moment and never looked back. Stereo Popsicle, which is what they were initially called, released its first CD shortly afterward, generating a lot of buzz and radio airplay on three of Atlanta's top FM stations, each playing different songs: 99X (Mr. Lonely), Star 94 (Georgia) and 96 Rock (Story). This showed early on the mass following for the band across different demographics and music formats, from Rock to Pop to Alternative, the music appealed to all (and this is the true test of great songwriting!). Black What? The band started to get some interest from the major labels, but the big label machine was not quite sure how to market and sell this phenomenon. People know Black. People know Rock. But, they don’t know Black Rock. Tomi says, “The label execs would take a look at us and send us down the hall to talk to the Urban Department.” The absurdity lies in the fact that anyone who listens to the band for more than 5 seconds will realize they don’t belong in the Urban Department. Trina describes the sound as “Rock with a whole lot of Soul.” Tomi continues, “It was pretty clear that they just listened to the buzz about the band and none of our music.” Trina and Tomi were now faced with a choice: stay true to themselves and risk losing a deal or change their sound so they could get signed. So, how did they respond? They changed their name to Three5Human. So, What’s In A Name Anyway?
It’s only fitting that a band with politically charged lyrics has a
political name. Unlike the U.S. Senate where a state’s
representation in number is the same among all other states, So, maybe now you can appreciate what a bold statement it was to change their name to Three5Human after getting major label attention with the non-controversial safe haven that was Stereo Popsicle. It was a big risk. But, it was real and that’s what Tomi and Trina wanted. In 2005 Three5Human released their first LP under the new name, which was aptly titled Flying Below the Radar. This CD earned Tomi and Trina serious industry attention as well, but this time the front runner was an artist-friendly indie label called Anaphora Music that set its sights on the band. Now, We’re Ready
More often than not, an Open Mic Night audience will get a super-sized
dish of cover tunes and possibly several marginal renditions of the
same song. Trina preferred a different
Three5human signed with record label Anaphora Music in 2006.
Jeff
Tomei, whose credits include
Smashing Pumpkins, Matchbox 20, Edwin McCain, Jerry
Three5Human's first CD on Anaphora Music, A Swig from the Acid Bottle, is scheduled for national release May 2007. Three5Human is on a national tour with the Indigo Girls. Visit www.anaphoramusic.com for more info.
Links and additional information: Biography Photos: Clowes Hall, Indianapolis, IN, by Steve Mitchell for MusicPix.net |
representation
in the U.S. House is based on a state’s population. Thus, states
with large populations have more elected representatives in the House
than states with small populations. The South wanted slaves to
be included in its population so they could have more representation
in the House. A compromise was reached between the North and
South declaring that slaves would be counted as three-fifths of one
person for the purpose of determining representation in the House of
Representatives. 
approach. One night she had the house band learn and perform her
originals on stage. Joey Williams, a powerhouse drummer who had
just moved to Atlanta from Chicago, was in attendance one such evening
when Trina had the mic. She electrified Open Mic Night with her
mesmerizing performance. A mutual friend introduced them after
she was done singing and the first thing Joey said to Trina when she
got off stage was, “Hey. I’m your drummer.” When Joey was
brought on board summer of 2006 Trina and Tomi also contacted Tres
Gilbert, notorious for his tasteful playing, to add his bass to the
mix. It’s true: Great artists need to be surrounded by
great artists to truly flourish. Now, we’re ready. 
Cantrell
of Alice In Chains, etc., was chosen to produce and engineer the
band’s first CD with Anaphora Music. “I loved working with
Jeff,” says Trina. “I had never worked with a producer of that
caliber before so I didn’t know what to expect. He really helped
us capture our live sound and